Issue 15 Volume 1April 2008

Front Page

Hands full with EMI

New EMI owner Guy Hands might just provide the biggest shake-up that the industry has ever seen.

By David James

The new owner of EMI Records, Guy Hands, head of the private equity firm Terra Firma, certainly knows he has a fight on his hands. It was recently reported by Graeme Philipson in The Age that when EMI sought to get the views of its customers, it invited a group of teenagers into its London headquarters to ask them about their purchasing habits. “At the end they were thanked and asked to help themselves to a big pile of EMI CDs on the table,” the report said. “None of the teenagers took any. They didn't want them.”

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Business Hands is a really interesting guy. David James discovers why he might just save EMI, and provide a better way forward for the recording industry.
ProFile Fusion will never grow cold, but Jim Kelly has many strings to his ax, not least teaching his competitors.
Intelligence Moral zones, ring tones, the catalogue that Sony owns, more puns, big groans, naughty Apple patent loans....
Reviews

Totally Gourdgeous are talented little pumpkins, while Miles Davis doesn't let a little thing like being dead get in the way of more releases. Tommaso Cappellato and friends show how free jazz can actually sound good.

Rising Stars Marc Mittag is a talented jazz guitarist. He also knows how to get the best session guys in the world for his new album and tour.
All About... Elton John loves harmony. You will too, when Bellaire Pillock is finished with you. Take a major/minor holiday.
Your Say Got an opinion about something? Drop us a line.
Ask Uncle
Terry
Uncle Terry shows you the money. Make sure you get a fair crack!
Humour What's in a name? Would U2 sound better if they were called God Speed You, Black Emperor? Megan Albany seperates the trumps that fly like The Eagles fom the turkeys that go down like a Led Zeppelin.

Alt. folk
Nearer my gourd to thee
Totally Gourdgeous
East Brunswick Club,
5th March 2008

Images By Daniel Smith
Text By Peter Haydon

Fresh from taping the TV show Spicks and Specks in early March, Totally Gourdgeous played their only other Melbourne gig at the East Brunswick Club. This was a great evening for many reasons, not least of which was the sound. The East Brunsick Club, when in intimate mode, has one of Melbourne's best acoustics for medium-level bands. The acoustics are very controllable, the desk, mics and PA are superb, and the in-house mixer did a great job of dealing with Totally Gourdgeous' sometimes complex sonic requirements.

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Boxing Miles

Miles Davis: The Complete On the Corner Sessions
Sony $180

By Peter Kelleher

Each time a new boxed set of Miles Davis’ work comes out, I clasp my hands together and thank Heaven. Each time, I dig out my wallet to dust off the notes with which to make the new offering my own. Each time, I anticipate eagerly the discovery of some hidden gems to make the outlay worth it. And each time, I am rewarded with delights that make me join my hands in thankfulness for the man Miles Davis.
What a pretty picture!, you may think. How pious! How reverent! How obsessive! How untrue!

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Jazz

Hear free play

Tommas Capellato Quintet
Bennetts Lane Jazz Club
30th March 2008

Text by Brae Grimes

Every morning, when I begin my journey to work, I think about what the beginning of my day’s soundtrack will be. Sometimes it’s jazz, sometimes it’s metal, and somedays a touch of classical, but after Sunday nights performance I will be listening to home-grown jazz to liven my senses. In one of the most inspirational performances I have seen, Tommas Capellato (drums) and his quintet (which included local heroes such as Peter Knight on trumpet/electronics, Colin Hopkins on piano, Frank Di Sario on Double Bass and Steve Magnusson on guitar), fought through free-form structure to create a beautiful, intriguing and coherent performance.

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Jim Kelly: fire and fusion

By Megan Albany

The times they are a-changing for the father of Australian fusion, Jim Kelly. The virtuoso guitarist, best known for his work with fusion band Crossfire, has now officially retired from his full-time gig teaching music degree students at Southern Cross University. The Dues recently caught up with him to find out what prompted the change.

“I just wanted more space for music. I’m in the last quarter of my life and I didn’t want to just be tucked away teaching,” says Kelly. “I wanted to play while I still have this potency and still have something to say. It was close to 18 years that I was teaching at Southern Cross, but in the end I guess it was a variety of things that prompted my decision.”

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Marc Mittag: Touring with Mike Clark

By Megan Albany


Marc Mittag (centre) with Charles Fambrough (left) and Mike Clark

We’ve all got our heroes. The person I would most like to meet before I die is Stevie Wonder. Even if I could just get close enough to have a bit of sweat flicked on me during a concert I’d be happy. But what if you could actually get to play music with your hero? What if you got to see the Clark Kent behind the Superman mask? Well, our featured rising star for this edition, guitarist Marc Mittag, got to do just that.

“Growing up, my musical heroes were people like Herbie Hancock, Eric Clapton, Eddie Van Halen and Mike Clark,” says Mittag. “I’ve always been attracted to people who are breaking new ground and that are not only great musicians but do whatever it takes to attract an audience into listening to what they have to say. All my heroes are not only great musicians but also great showmen.”

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Send us your email, notes, memos, random thoughts, trenchant complaints. Tell us about your adventures, strugggles, disasters, disappointments and successes as a musician.

We give preference to letters of 200 words or less, but try your luck anyway. We may edit your letters for reasons of space, or possibly because we're just a bunch of interfering bastards. Despite that, we welcome your feedback, comments and observations. You can use a pseudonym if you wish, but please include your real name, suburb/town and, if you are writing from outside Victoria, your state/country.

Email us at musosunion@aol.com.

Got a problem or question relating to the music biz? Ask Uncle Terry.
(Uncle Terry is a grumpy old man who lives in a cave in one of the less fashionable corners of the Yarra Valley. He is not a qualified legal practitioner and he does not dispense formal legal advice. Neither he nor the publishers of "The Dues" accept any liability for the results of acting on the opinions, statements or recommendations expressed in his column)

Email Uncle Terry on musosunion@aol.com. Please provide your name and suburb (& state/country, if you're not a Victorian yokel...)

Charge!

Dear Uncle Terry

How do you work out what is a fair rate to change for as a band?

Al

Dear Al,

There are awards which govern the minimum pay rates and conditions of musicians just as there are for any other occupation. You can view a useful rate summary at the Musicians' Union website.

Many musicians think that the award only applies to people employed on a permanent basis. This is not correct. Awards apply to all employees whether they are permanent or casual. Awards are not enforceable if the musician is a contractor rather than an employee but musicians should not assume that this is normally the case for a casual engagement. In any case, contractors should expect to be paid more than employees because they assume many of the employer’s responsibilities. If you are offered less than the award rate as a contactor, you are not being offered a fair rate.

It is also important to understand that the award rate is not set by the union, it is set independently by the Fair Pay Commission; you should always point this out in discussions about pay. You should also point out that the award rate is set as a minimum and it is normal to negotiate above it. If you need help working out how the award rate applies to your gig, contact the Musicians Union.

Uncle Terry

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Band Names - The Novel

By Megan It's a Long Way To The Top If You Want To Rock n' Roll Albany

Band names seem to be getting longer and longer, in fact we’re sure it won’t be long before there’s a band called War and Peace – the band. Perhaps it’s because everytime you think of the perfect adjective, the accompanying dot com is already taken or perhaps it’s just because there’s way too many bands on myspace, which incidentally should be renamed everyoneandtheirdogsspace.

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Consider me gone

And now, the time is near. Something, face...the final curtain. Yes, I'm moving out of the editorial seat of The Dues. It has been a fascinating few years since this ezine began, and something tells me you ain't seen nothing yet. I'd like to thank my parents, my manager, but more seriously, all the superb writers who have contributed over the years, and who will, I trust, contribute even more vigorously in the future. And the many fascinating, talented, funny and smart musicians, both the famous and the obscure, who have been featured in our little red rag to all the bull out there.

And, just because I can, just because maybe this will be the last time I ever get to write exactly what I want in such a self-indulgent way AND get it published as written, I'm going to write about what I like and don't like.

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Disclaimer:
Articles express the opinion of authors and not necessarily that of theMusicians Union of Australia. No responsibility is accepted for unsolicited material. The Dues makes every effort to use reliable, comprehensive information, but we make no representation that it is accurate or complete.





 

Eliot Spitzer dummy?

By Theo Schulsospekz

First he was the crusading New York State Attorney General attacking corruption in the music industry (see Intelligence in Issue 14 of The Dues), then he was elected Governor of that state, now he has resigned over his alleged involvement with prostitutes. Intelligence makes no comment on Eliot Spitzer’s morals but notes that payola practicing record companies and radio stations will probably be breathing a sigh of relief.

...more Intelligence

Harmony for the Compleat Idiot

Part 14 in a series by
Bellaire Hillock

Hello my harmonical neoyphytes and initiates! If this is your first time - you know you're special, baby - check out previous articles in this series. There is a harmony column in most previous issues of this e-rag.

Last time, I asked you to go away and work out the notes in the 12 minor major seventh chords (if the juxtaposition of "minor" and "major" bothers you, check out the last issue where all is explained!).

The symbol for the minor/major seventh chord comes in various flavours:

Cmin/maj7
Cmin7
Cm/maj7
Cm7
C-/maj7
C-7

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