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13 Volume 1 |
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EMI - laying on of Hands EMI's new boss may be its salvation By David James Confirmation, if any confirmation were needed, that the music business is not really a business at all, has come from the new owner of EMI, one of the majors. The ailing company has been acquired by Guy Hands’ Terra Firma. This is not a joke (although it is a rich source of potential puns). The joke, it turns out, is EMI. Hands was quoted as saying, no doubt with his tongue firmly planted in his cheek, that he has bought a dog. “We look for the worst businesses we can find in the most challenged sector, and we get really happy if it’s really, really bad. We are just hoping that EMI is as bad as we think it is.” He is unlikely to be disappointed.
Alt.
Folk By Simon Gordon
Jimmy Dowling’s songs communicate that rarest of things: an honest simplicity that much of today’s popular music lacks. He has a knack for finding the unadorned beauty in the everyday. On his self-titled album – recorded in Toronto on a four-track in 2002 with the help of a few mates – Jimmy gives us his refreshing view of the world.
Photoessay - music festival High live Vibe scribe High Vibes - Northcote Music Festival 22 September 2007Photos by Daniel Smith Text by Peter Haydon
Want counterfeit passion at the social club? Or a taste of the Raj at the Regal? Allow Daniel to take you on an illustrated tour of the whirling world of High Vibes. Eclectic Byzantine and modern The harmony and the ecstasy Jouissance By Peter Haydon
The eclectic group Jouissance have been around for a while now. Originally formed to create a very modern interpretation of the songs of Hildegard, they have continued to play in regions of music in a way that is at once innovative, meditative and intense. So I anticipated something special in their performance at Scot's Church in Melbourne at Easter, exploring themes from Byzantine Greek music, theology and lore. After a reading from the Gospel of Matthew, Jouissance begin with a piece called The Bridegroom Troparion, in which Peter Neville's ethereal bowed crotales state the melody.
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Aimee Chapman: Hairbrush to microphone One woman's path towards earning an income from music By Herself A year and a half has passed since I finished full-time tertiary studies
and was sent off into the world as fully qualified, bright-eyed, ambitious
and enthusiastic ‘musician’. Eighteen months later and I find
myself wiping the dust off the signpost I chose, to see if the road it
pointed to did in fact read ‘Working Musicians - This Way’.
Interview Antescene: new way get a fair gig? By Peter Haydon
Antescene involves a co-op approach, equal sharing of takings, non-traditional venues and odd partnership with political groups and other creatives such as craftworkers. Come back William Morris, all is forgiven. Unsurprisingly, young original bands are lining up to get involved. I caught up with Chris, the one-time star of high profile English indie band Art Brut, and the far less famous but no less interesting Cate at the Brunswick Green, and our loose-jointed and far ranging conversation touched on polkadot rabbits, rural gigs, warehouses, noisy neighbors, tampon sculpture, underage shows and sealing wax. Read on if you dare. Send us your email, notes, memos, random thoughts, trenchant complaints. Tell us about your adventures, strugggles, disasters, disappointments and successes as a musician. We give preference to letters of 200 words or less, but try your luck anyway. We may edit your letters for reasons of space, or possibly because we're just a bunch of interfering bastards. Despite that, we welcome your feedback, comments and observations. You can use a pseudonym if you wish, but please include your real name, suburb/town and, if you are writing from outside Victoria, your state/country. Email us at musosunion@aol.com.
Got a problem or question
relating to the music biz? Ask Uncle Terry. Email Uncle Terry on musosunion@aol.com. Please provide your name and suburb (& state/country, if you're not a local yokel...)
Sales network? Dear Uncle Terry, We are looking at various music and social networking websites as ways to promote our music and get it out there. Which ones do you think are the best? Matt
Dear Matt, The short answer is none, or maybe all of them. What is wrong with such sites is a more interesting question. Before the advent of the internet, distribution of music was pretty much completely controlled. It was next to impossible to get a recording out to the public (other than selling at gigs) unless you went through a record company. More recently, three things made it possible for anyone to record and distribute their music:
*** All you can eat for $22. Blubber’s Bistro. Open 12–2pm for lunch, 6–10.30pm for dinner. 18A Grunt St, Prahran (Up the stairs past the morgue). BYO plates. Call 9998 8898 for bookings *** Stick of dynamite for sale. Used once. Estate of Raul Todd. 7678 7334
Mud, sweat and tears We spend a lot of time, in this ezine, grumbling about various aspects of the music industry. The antics of the major record companies would be laughable if they weren't so often injurious to the interests of recording artists. As much as we can within the the draconian libel laws of this land, we point out the depredations of agents and venue managers, and give you stories from musicians themselves that demonstrate the constant struggle of a working musician's life. In the midst of all this, we have to remind ourselves that there is also beauty. Disclaimer:
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Order of Merritt By Theo Schulsospekz Australian music legend Max Merritt is suffering health serious health problems so a benefit concert is being held to help him out on Sunday 21 October. According to figures prepared by Hans Hoegh-Guldberg in the Music Council of Australia's Knowledge Base, the value of the music sector in 2005-06 was $6.82 billion. If Max had got his fair share of that maybe he wouldn't need a benefit.
The company you keep Reviewer: By Trevor Plug
Part 10 in
a series by Last time, we looked at the main elements of a promotional package. You can chuck a few other things into this package, so lets have a look at some of them now.
This can be quite expensive to produce. Before even considering including it in your package you should do a very rigorous cost/benefit analysis. If you have access to a low-cost or DIY option, you should consider this option. Keep in mind, however, that a badly produced DVD may be worse than no DVD at all!
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